When Miley Cyrus steps into a photoshoot, she doesn’t just pose—she builds a world. Her recent features for Perfect Magazine prove exactly that. Across multiple covers, interviews, and a special‑edition zine, Miley delivers a bold, intimate, and visually arresting chapter in her ongoing evolution. 

Miley’s partnership with Perfect Magazine is rooted in her long‑standing creative relationship with founder Katie Grand. Their latest project, “Three Days with Miley,” is an 80‑page zine photographed by Paolo Roversi and Lynette Garland—two artists known for turning portraits into emotional landscapes. The shoot took place in Roversi’s legendary Paris studio, giving the project a timeless, cinematic quality. 

The result is not just editorial content—it’s a study in identity, vulnerability, and performance.

One of the most talked‑about moments is Miley’s nude cover, released 17 years after her controversial Vanity Fair portrait. This time, the narrative is hers. She describes the experience as reclaiming her power, emphasizing that nudity can be a form of strength, not spectacle. 

She also reflects on the opposite side of the spectrum: the power of clothing. Whether it’s a glittering Bob Mackie mini at the Grammys or a sculptural couture piece, Miley understands how fashion speaks before she does.

In another standout cover, Miley appears in a rococo‑inspired gown—ruffles, lace, and a ghostly silvery‑green palette—styled with deliberate anachronism. Shot by Paolo Roversi, the image blends historical opulence with modern irreverence. It’s theatrical, haunting, and unmistakably Miley. 

This isn’t just fashion; it’s storytelling through texture, silhouette, and attitude.

For the 2025 Special Issue, Miley fronts six collectible covers, each exploring a different facet of her persona—rock star, icon, muse, rebel, romantic, and artist. Styled by Katie Grand, the covers reinforce Miley’s ability to shapeshift without losing her core identity.